THE INTONATION TO 432 HERTZ, THE GOLDEN SCALE AND THE MATHEMATICS OF THE 8
by Riccardo Tristano Tuis
«Music is
a science that must have certain rules: they must be extracted from
an evident principle, which can not be known without the help of
mathematics.
I must admit that,
despite all the experience I have acquired with a long musical
practice, it is only with the help of mathematics that my ideas are
arranged, and that the light has dispelled the
darkness».
Jean Philippe Rameau
Originally the music was part of the quadrivium, the teaching
order in which the four liberal arts called mathematical, namely
arithmetic, geometry, music and astronomy, constituted the corpus
of higher education with respect to the trivium, the liberal arts
such rhetoric, grammar corresponding to , logic and
rhetoric.
The position of music among the arts of the quadrivium responded to the representation of the mindset of time that he saw the music as a science based on mathematical laws physical-acoustic and generated by the arithmetic.
Nowadays,
however, the
music
is regarded as
the
queen of the
arts
but
this
is due to the
fact that,
although it is
part of
the
Science
of
vibration,
was
increasingly
secreted
in the
status
of
art,
limiting
the enormous influence
that he
could
exercise on human beings
and
on social engineering.
No coincidence that
philosophers such as
Hegel,
Schilling,
Schopenhauer
or
Nietzsche
put the
music
in the foreground
in
their
philosophical
systems.
Historically,
the first
attacks on
the
science
of music
-
which
were
included
in
the study of
harmonics
and proportions
taught
by
intellectual giants
like
Pythagoras
and
Plato
-
were perpetrated
by the
Roman Catholic Church.
Despite
the banning
of the
study
of harmonics
and proportions
Pope Gregory
IX
decided
to ban
the so-called
sacred
music,
the tritone
- the interval
of
an augmented fourth
in
this
way
Lydian
-
defining it as
"Devil's
Interval"
or
Diabolus
in
Music.
Unfortunately, even during the Enlightenment continued to boycott the musica universalis and scientists like Galileo, Cartesio and Newton - to co-exist with the hegemony of the Church - publicly showed no interest in the harmonics and the golden proportion and this ancient knowledge was lost by successive generations of scientists to this day.
In fact in the mainstream
scientific officer only now you start to talk about the importance
of the harmonics and of the golden proportion, the latter recently
rediscovered by science to the importance also in atomic dimensions
(this trend is also shared by traders who have dusted off the
sacred geometry and the Fibonacci numbers to make the analysis of
the securities stock exchange).
Moreover, the
science
of the last
century,
initially
with
the equation
E =
mc ²
and then with
the superstring
theory, not surprisingly
came to the
conclusion
that our world
is not
that
a
great
symphony
of
harmonic vibrations
and
inharmonious, and that the
matter
is just
the way we
interpret
some.
In a recent interview on
Science and Knowledge Michio Kaku, theoretical physicist,
co-founder of String Field Theory, said that «Physics is the
law of the harmony of vibrating strings, Chemistry are the various
melodies that can be played, when these strings collide with one
another. (...)
The universe is
a symphony of
strings.», this parallels between music and strings is more than
legitimate even mathematically speaking, and in the continuation of
my article I will highlight how the numbers 8, 888 and 24 (multiple
of 8), used in the modular functions of the Theory of Everything
more accredited in the scientific world, are part of the
mathematics of life and are present into the Protocols of the music
of Bosman and in my 432Hz Golden
Scale.
The High Renaissance genius, Leonardo da Vinci - few know that he was also an accomplished lyre player - anticipated the modern discoveries of quantum mechanics and the modern holographic paradigm with this bold thinking
«At the same laws they obey the waves both of the water both sound and light» (1).
The entire universe is made of vibrating waves,
including our conscious and unconscious thought ... when we look
the layout of a brain scan, we are observing a score of thought for
four voices: state delta, theta, alpha and beta; and as the latter
- called ordinary state of consciousness - is one of the voices of
reality, but certainly not the only one.
But in this technological Middle Ages, where the mind
digital still believes in the myth of scientific objectivity and
still dissect with a mental scalpel, observation and the
observed, art and science and inevitably music and scientism
continue to forget that to generate the sounds, you need to know
the proportio aurea studied by intellectual giants such as
Pythagoras, Da Vinci, Bruno and Bohme.
They will Continue to forget that there is a scientific intonation
with which to make the music and that the golden ratios are not
covered in the tempered system, forgetting that the relationships
between the notes should follow the same mathematical relationships
that govern the reproduction of many species, the phyllotaxis and
our solar system, or, if you prefer, Sol-La-Re system.
Over the last three years there
has been much talked about in Internet of the intonation with the
choir at 432 Hz, presenting it at times, as if it were a novelty
using slogans such as «there is a new frequency in the
air.»
This intonation, in fact, was already widespread in the past,
many Italian theaters
and Europeans used it along with at the La 430 Hz and 435 Hz.
These three
intonations
were used
by
geniuses like
Mozart,
Beethoven,
Verdi,
etc..
to compose their
immortal
works.
On many blogs and websites dedicated to music at 432 Hz
there was much talk of so-called Tuning Conspiracy, the alleged
conspiracy on the intonation to 440 Hz, treading hand on
sensationalist information that the tone at 440 Hz was imposed at
the first international conference organized by the Nazi propaganda
minister Joseph Paul Goebbels, who introduced her as the official
German
intonation.
Researchers such as
Vassilatos say that even in the days of massive parades National
Socialist the Nazis were using infrasound to create states of
malaise among the population.
The pitch at
440
Hz,
compared to
432
Hz,
tends
to
further stimulate
the central nervous
system, and probably, already at the
time
of the Nazis
was known as
the different
intonations
would
create
different feelings
and
physiological responses
in
listeners.
But the alleged Tuning Conspiracy of modern times could be
explained simply by the fact that Hitler, as a deep admirer of the
great composer Richard Wagner, he ordered at Goebbels to choose the
A at 440 hertz as official German intonation only because Wagner
and the Romantic School employed precisely this
intonation.
Historically,
already
in 1815,
at
the Congress of
Vienna, Tsar
Alexander I
asked for a
sound
more
"bright"
and
this request was
then
supported
by all the
royal
families
of Europe.
Also the Church supported a intonation highest, conjecturing that
more was high and most closely to God.
In Europe,
the
440
hertz
appeared
with
the
Russian and
Austrian
military bands,
but
in
1917
it seems that the
American
Federation
of Musicians
accepted
the
440Hz
as
the
standard pitch
in 1920
and
so did
the American
government.
Only in September 1938, the Commission of Acoustics Radio Berlin requested the British Standard Association to hold a conference in London for to use in the international arena the intonation at 440 Hz of the German radio.
It was the
International Standardizing Organization, to put internationally
the 440 hertz, and in 1971 this intonation was further recognized
in legal terms by a delegation appointed by the Council of Europe,
despite a referendum carried out by French musicians against the
imposition of this
intonation.
To do this, we need an introduction.
For LaRouche and the Schiller Institute, the same human voice as well as being the basic tool for the music, it is a real living process aureus.
LaRouche noted as the Da Vinci, through its morphological studies, has shown that all living processes have their own internal geometry based on the Golden Section.
The Schiller Institute has done its stronghold the concept that music is the product of the voice and, before that, of the human mind.
Since the human voice, and our minds are based on the Golden Section also the music must reflect the geometric forms of his two "parents" invoking, along with the Bel Canto, a intonation with the La (A) of the choir at 432 Hz because this is the intonation more suited to the human vocal register.
Now, if we listened to music based on the Golden Spiral and in tune with our biology, is in some way a music for Life, both biological that perceptive because both use the same math.
Now that we know what proportions to use to create a musical scale that takes account of our biology and of our listening logarithmic, we just have to figure out at which frequencies intone every single note of it.
We will call into question the research of some of the pioneers of neuroscience and studies on the frequencies.
There are numerous laboratory studies have shown that the sound waves are able to modify the blood pressure, respiration, heartbeat, the electrical resistance of the skin, sweating, neuroendocrine response, concentration and brain waves.
ELF waves and infrasound, for example, are the frequencies that most affect us.
Andrija Puharich, physician and pioneer of research on electrobiology and extrasensory abilities of the brain made numerous discoveries about a specific infrasound: 8 hertz.
The combination of 8 Hz and the Life was subsequently verified by other researchers who discovered that the pineal gland is activated directly by issuing a signal to 8 cycles for second, while melatonin, one of the hormones produced by this gland, endocrine, induces with an identical signal, the DNA replication, strengthening the repair of DNA damage, due to old age and even cell regeneration.
The Epiphysis also helps to release serotonin, with antidepressant action, enhancing the immune system and the central nervous system.
The Dr. Robert Becker, in his book Cross Currents, demonstrated that calcium, which is essential also in the process of healing, it is released at a rate of 16 cycles per second, which is the first multiple of 8 Hz.
As noted out by Dr. Dieter Broers,of the Institute of Biophysics and of the Department of Clinical Experimental University of Berlin and inventor of the device Mega Wave:
«Ananda was the first to suggest that the pinolina produced by the pineal gland resonates at 8 Hz, and it will be the remedy for cancer.
I have observed this process for a long time, until it has been confirmed, and it was already during my research on the Mega Wave.»
Now that we have begun to understand the importance of the frequency/number 8 and its multiples in our biology, we must note that the normal music at 432 Hz played in equal temperate scale has only the A at 432 Hz which is a direct multiple of 8 but, for that matter, even the A at 440 Hz is a direct multiple of 8.
In my book, 432 Hz: The Musical Revolution, hint of biophysical studies on the angles of 90 °, with which unfortunately are built our houses, which give magnetic imbalances in the human body (in the corners there are specific frequencies similar to those of rheumatism).
If you touch specific points of the corners of your home these biological imbalances are instantly recognizable due to a decline in muscle tension.
Even if the person is not conscious immediately his central nervous system (CNS) is inhibited, with the important neurotransmitter called acetylcholine and in its place, take over his antagonists, for example, the atropine.
This in the long run causes a muscle fatigue and weakness of the CNS.
The Atropine essentially exerts effects of nature excitatory on the central nervous system and in low doses causes slight restlessness, while high doses cause restlessness and agitation.
One of the first tests done in 2005 with the AUMega Music (music composed at 432 Hz but with protocols based on the mathematics of the pentahedron of Sierpinski and, partially, with the mathematics of 8) by Ananda Bosman, was own the seeing if the music at 432 hertz influenced the central nervous system.
The test was done in a private manner by an university professor expert in biophysics linked to environmental biopathologies.
A quick test on muscle tone (technique used by kinesiologists) or a blood test done before and after listening to music to 432 Hz of Bosman can empirically demonstrate how it can affect on your central nervous system.
From these initial tests repeated in my presence and in front of 30 other people in 2009, you might think that all music to 432 hertz has these beneficial properties.
In fact, there is music to 432Hz that, as the music to 440 Hz, not from any improvement in the CNS, but there is also music to 432 Hz, like that of Bosman, which has a positive effect.
The AUMega Music seems to work because it uses a strict protocol designed by Bosman himself, that the normal music tuned to 432 Hz does not use.
This Protocol further improved by me in a model in which we make use of a
intonation with the A to 432 Hz but, unlike the music to 432 Hz or AUMega Music, is used the Golden Scale, in which each individual frequency of the note corresponds to a direct multiple of 8.
Only with this scale fully quantized on the mathematics of the 8 (1), that I present in my book, we can elevate the intonation with the choir at 432 Hz at its most perfect and consistent.
Hence the title of my book 432 Hz: The Musical Revolution because the revolution is not in itself this intonation as the synergy between a new pitch scale and a intonation fully quantized on mathematics of the 8.
Bosman, rightly, to differentiate their music from normal music to 432 Hz coined the term AUMega Music, I have done the same by creating a logo certification for the music to 432 Hz with the use of "Scala Aurea", the 432 Hz Golden Scale .
I hope this article makes a little bit clarity on the intonation to 432 Hz, dispelling some myths taste new age but also some gratuitous criticism against this intonation, perhaps due to its superficial presentation, arrogant and sensationalist made in some specific websites.
As said Lorenz Mizler, a pupil of JS Bach, and founder of a semi-secret Society of Musical Sciences in which militated none other than Handel and Bach himself:
«Music is the sound of mathematics.»...
yes, but the math of the 8.
Notes.
(1) The so-called nodes of Leonardo resemble at the 8 and often in his paintings these nodes are willing to numbers of 8, 32, 96, etc ... all multiples of 8.
The nodes of Leonardo are present massively in the little-known work in the Hall of the Axis of the Castello Sforzesco in Milan, but we can find also in the Lady with an Ermine or the Mona Lisa.
In the six incisions made for its school of painting in Milan as its main theme, there are these 8 masquerading as nodes and there are seven circles in which there is engraved:
Leo-nar-di-aca-de-mia-vici.
An eighth circle encloses the seven smaller circles and the nodes of Leonardo.
Even his version of the ball bearing expected a shape octagonal,
and in his project can be noticed eight spheres.
Why this obsession of Leonardo for this number?
Leonardo is known for his works full of subliminal messages clearly of esoteric matrix, perhaps the supreme genius of the Renaissance was referring to the Law of the Eighth or the knowledge the builders of pyramids in which the eight and its multiples are present in the pyramids of Giza?
