Another interesting
finding noted that the drawings, which otherwise would be formed,
reminiscent of the cellular structures of living organisms.
Jenny became convinced that life is the result of the specific
vibration of each cell, in other words, each cell has its own
sound, its note.
In the final chapter of Cymatics, Jenny brings these phenomena in a
unit divided into three parts.
The generative power
lies in the fundamental vibration which, with its periodicity,
sustains phenomena and their two poles.
At one pole we have
form, the figurative pattern; at the other pole we find the motion,
the dynamic process.
According to Jenny
these three fields - vibration and periodicity as the background
field, and form and motion as the two poles - constitute an
indivisible whole, though sometimes one of them might have the
supremacy.
In
the course of his research with the Fonoscopio, Jenny noticed that
when the vowels were spoken languages in the ancient languages,
Phoenician-Hebrew and Sanskrit, the sand took the form of graphic
symbols of the vowels themselves while on the other hand, our
modern languages did not produce a similar
result!
How is this possible?
The ancient Hebrews
and the Indians knew about it?
There is some connection with the notion of "sacred language", a
name sometimes given to both those languages?
What kind of quality have these "sacred languages", among which
often include the Tibetan, Egyptian and Chinese?
They have perhaps the power to influence and transform physical
reality, to create things through their inherent power?
With the study
of Cymatics
there is evidence
that the
vibration, sound,
influences
matter.
It demonstrates
in
a sensational
fashion
the relationship between form
and
frequency, a relationship
which
is the basis of
everything that
exists.
The sound
creates
shapes
and recent
experiences on
the
wave motion,
confirm
a
link between waves, substance
and
form,
which also concerns
all
organisms.
All the studies
and
experiments
conducted
with the use of
wave
frequencies,
confirm
studies and
experiences
that date back
to ancient
civilizations
according to which every
sound, so
each wave
vibration
is in connection with
a
shape in space, generated
by it and kept in
life
and
movement.
From the same awareness comes that famous statement of
Pythagoras that the geometry is solidified music.
Scholars
have shown us
many
forms, some
geometric,
known to us
as symbols, crosses,
stars, etc..,
Are produced by
various types
of
vibration.
So if
every sound, wave,
movement,
thought, feeling,
create
forms,
we
too therefore
we are
continuously
creating forms,
because
we have the same
vibratory
nature.
Dr.
Hans
Jenny,
father
of
Cymatics
or the Science
of
Waves, offered us
this
possibility
and
made visible
the
subtle power
through which the
sound
structure of
the
matter,
demonstrating
the supremacy
of
vibration
and its effects
in nature.
In his experiments
he placed
sand,
dust and
fluids on
a metal plate
connected
to an oscillator
which
produced
a broad spectrum of
frequencies.
As he watched
the
sand
or
other substances
organize
into
different structures,
he
heard the sound
emitted by the
oscillator
and,
if
lightly
touched
the
plate, he could feel
the vibration
in
his fingers.
Let us now
imagine
that,
for some reason,
you
can
"only"
see
the static aspect
of the
form
and, therefore,
you think that it
is
solid.
The idea of a
form generated by
a
vibrational field
that resonates
and
it might seem
irrational.
Each figure is
instead
the visible
form
of
an invisible force,
and every form
contains information about the
vibrations
that generated
it.
Imagine someone
stir the
sand
on the plate
and gates
the form....
Within a few
seconds, the
same form
reappears.
How do you
explain it?
Only
by admitting
that the
sound
has
special properties
to modulate and
shape the
energy, that is
the
matter!
Taken from: Nexus - Article by Fossati Siro (pseudonym
Carla Fleischli Corporale, website,
evoluzioni.info)
The Power of
Meditation - editions de Vecchi
